{"id":644,"date":"2021-03-12T16:36:44","date_gmt":"2021-03-12T16:36:44","guid":{"rendered":"https:\/\/raficfarah.com.br\/?post_type=project&#038;p=644"},"modified":"2021-03-12T16:36:45","modified_gmt":"2021-03-12T16:36:45","slug":"posters","status":"publish","type":"project","link":"https:\/\/raficfarah.com.br\/index.php\/project\/posters\/","title":{"rendered":"POSTERS"},"content":{"rendered":"\n<p>TOULOUSE FARAH &#8211; 2001<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"711\" height=\"1024\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/toulouse-711x1024.jpg\" alt=\"\" class=\"wp-image-645\"\/><\/figure>\n\n\n\n<p>PANAMERICANA GRAPHIC DESIGN &#8211; 1996<\/p>\n\n\n\n<p>Recordo a conversa telef\u00f4nica com o organizador do evento: &#8220;Rafic, por que voc\u00ea usou isso?&#8221; (O tema colocado aos designers participantes era: design regional ou design global?) Inventava argumento do tipo &#8220;esse \u00e9 o design mais forte, original e universal do Universo. Mobiliza religiosos, devassos, antrop\u00f3logos&#8230;&#8221; Mas, na verdade, n\u00e3o sei como justificar esta imagem. Por fim, respondi-lhe que a quest\u00e3o era muito cabeluda.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"608\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131822.jpg\" alt=\"\" class=\"wp-image-646\" srcset=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131822.jpg 466w, https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131822-230x300.jpg 230w\" sizes=\"(max-width: 466px) 100vw, 466px\" \/><\/figure>\n\n\n\n<p>ECO RIO 92 &#8211; 1992<\/p>\n\n\n\n<p>Pequena, a vers\u00e3o recusada. grande, poster aprovado. Pr\u00eamio mundial EKTOPLAG 93 Melhor poster sobre ecologia. Debret (1834) ilustra t\u00e9cnica usada por um \u00edndio para ca\u00e7ar p\u00e1ssaros. A associa\u00e7\u00e3o da imagem com a lista telef\u00f4nica e o evento \u00e9 simples: muito branco para pouco \u00edndio.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"810\" height=\"688\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131819.jpg\" alt=\"\" class=\"wp-image-647\" srcset=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131819.jpg 810w, https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131819-480x408.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 810px, 100vw\" \/><\/figure>\n\n\n\n<p>ASTROLOGIE &#8211; 1985<\/p>\n\n\n\n<p>Poster\/mala direta. Ouvi dizer que os an\u00e9is de Satruno s\u00e3o compostos por detritos rochosos. Da\u00ed a id\u00e9ia do logo e a id\u00e9ia da rocha. A dobradura \u00e9 a lembran\u00e7a das camisas passadas e dobradas; o papel de seda remete ao jogo japon\u00eas &#8220;jo-ken-p\u00f4&#8221;.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"700\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131817-PB_SL.jpg\" alt=\"\" class=\"wp-image-648\" srcset=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131817-PB_SL.jpg 585w, https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131817-PB_SL-480x574.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 585px, 100vw\" \/><\/figure>\n\n\n\n<p>COCA COLA &#8211; 1992<\/p>\n\n\n\n<p>Poster comemorativo de 50 anos no Brasil. V\u00e1rios designers foram convidados para essa exposi\u00e7\u00e3o comemorativa dos 50 anos da Coca Cola no Brasil. A audi\u00e7\u00e3o da m\u00fasica Chiclete com Banana (de Jackson do Pandeiro) poderia trazer alguma sugest\u00e3o de imagem. O tema parecia t\u00e3o f\u00e1cil, por isso foi ficando para depois. \u00daltimo dia: a letra de &#8220;\u00c1guas de mar\u00e7o&#8221; inspirou uma solu\u00e7\u00e3o caseira.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"615\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131816.jpg\" alt=\"\" class=\"wp-image-649\" srcset=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131816.jpg 419w, https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/I2131816-204x300.jpg 204w\" sizes=\"(max-width: 419px) 100vw, 419px\" \/><\/figure>\n\n\n\n<p>SECRETARIA MUNICIPAL DA CULTURA &#8211; 1989<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"433\" height=\"612\" src=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/secretaria-cultura.jpg\" alt=\"\" class=\"wp-image-650\" srcset=\"https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/secretaria-cultura.jpg 433w, https:\/\/raficfarah.com.br\/wp-content\/uploads\/2021\/03\/secretaria-cultura-212x300.jpg 212w\" sizes=\"(max-width: 433px) 100vw, 433px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>TOULOUSE FARAH &#8211; 2001 PANAMERICANA GRAPHIC DESIGN &#8211; 1996 Recordo a conversa telef\u00f4nica com o organizador do evento: &#8220;Rafic, por que voc\u00ea usou isso?&#8221; (O tema colocado aos designers participantes era: design regional ou design global?) Inventava argumento do tipo &#8220;esse \u00e9 o design mais forte, original e universal do Universo. Mobiliza religiosos, devassos, antrop\u00f3logos&#8230;&#8221; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":651,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"project_category":[],"project_tag":[],"class_list":["post-644","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project\/644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/comments?post=644"}],"version-history":[{"count":2,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project\/644\/revisions"}],"predecessor-version":[{"id":653,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project\/644\/revisions\/653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/media\/651"}],"wp:attachment":[{"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/media?parent=644"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project_category?post=644"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/raficfarah.com.br\/index.php\/wp-json\/wp\/v2\/project_tag?post=644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}